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Joy -o- Meter

Joy O Meter was developed in collaboration with Culture Lab LIC and immersive concert creators Truth & Magic. The general goal was to reconnect audiences with live music experiences through playful, sensory interactions, bridging the gap between digital technology and intimate, real-world experiences. Most importantly, it can visually track and aggregate collective joy in real-time.

Field

Physcial Design, Interactive installtion

Tools

Rhino, CNC, Woodshop fabrication, electrical soldering

Time

2024.9 - 12

Group project

My Role:     
Led the structure Design and industrial design process.

Grouped with:
Proejct Manager: Linna Zhou, Melika Panbehchi
Designers: Elaine Wang, Samamtha Cui, Georgia Chen, Kyrie Yang
Developers: Lening Hou, Alan Ren, Lucia Gomez

Client needs

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Our Collaborative Partner: Truth & Magic

Project type:    Immersive Concert Experience

Key features:   Interactive sensory stations, live performance audience engagement.

Target Audience:

  • Ages 18–45

  • Regular concert-goers and technology users

  • Interested in immersive and interactive theatrical experiences

  • Seeking deeper, offline connections in digital-heavy lives

What we know:

Sensory Stations: Audiences interact through multi-sensory games (sight, sound, taste, touch, smell) to unlock initial joy levels.

Live Performance:: Real-time collective joy measurements through dancing, sing-a-longs, parachute play, bubble machines, and immersive dance performances.

Research & Ideation

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Round 1: Concept Brainstorming

Each team member contributed at least three ideas based on the research.

We compared and grouped similar concepts, ranking them into categories for feasibility and creative potential. This initial sorting helped us identify emerging themes.

Round 2: Thematic Clustering

Ideas were further clustered into overarching themes to guide our future design direction. This thematic framework became the foundation for all later decisions.

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Ideas were further clustered into overarching themes to guide our future design direction. This thematic framework became the foundation for all later decisions.

Site Visit & Spatial Understanding

Our team visited Culture Lab LIC to understand the physical constraints of the venue. We studied the floor plan, ceiling height, elevations, and mounting limitations to ensure our design would be feasible and safe within the space.

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Concept Pitching & Selection

Based on our research, ideation, and site visit, we developed three distinct design concepts to pitch to the client.

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  • The cassette-inspired design was selected as the final direction.

... is a network of whimsical, illuminated sculptures that transportjoy from input stations to a central hub sculpture, shaped like a cassette. As joy accumulates, the hub sculpture shows increasing levels of lights.

As the concert unlocks, the hub will be fully lit. It will be lit alongwith the peripheral tubes, as if it’s radiating joy to audiencesaround the venue.

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The input station design.

As the performance requirements evolved, we continuously refined the concept through multiple meetings with the client.

🔋 Structural Design & Prototyping

Structure design shift 2 versions

The Main cassette design changed due to a shift of placement in the show. The clients want it to be placed high-up.

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I though about building the first design in Arcylic or similar material, but due to the needs change, the design changed

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The final structure and look is 7 feet tall.

Prototyping & Playtesting

We created a full-scale(but only 5 feet tall) cardboard prototype to test the LED effect with projection mapping.

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🔋 Final Design Adjustments

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Structure update:

- The central body part is designed to be heavy enough to balance the weight. 

The front panel was chosen to be built in Plexiglass because of its transparency and ability to allow LEDs to shine through. 

- The front panel can be removed for future adjustments and maintenance needs. 

I adjust multiple times with the development team to make sure there is enough room for the electrical parts.

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Structure update:

The connection parts of the main body and legs are also adjusted to provide a stronger bond.

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The final design was tailored for future reuse, with a modular system and transportable case to allow the client to assemble it independently.

The final design was tailored for future reuse, with a modular system and transportable case to allow the client to assemble it independently.

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The cases are the base. 

Once it is taken apart, the base of the cassette isar altered into the protecting case to protect the surface of the plexigalss.

🔋 Fabrication Process

Shaper to cut layers of the body of the cassette

We cut the entire shape out of pieces of 3/4 inch plywood

Assamble

Then we assamble the rings together to form a hollow shape which can contain the electrical parts, aka big battery, wires.

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Sand. sand. sand

After multiple rounds of glue ups, I sand the structure for the paint application.

Ps. Lots of small tasks not included here. but if you know, you know 😭

The LED holder pannel

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The plexiglass engraving

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The plexigalss with LEDs

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We CNCed some foam for testing, since we only got one chance, no room for mistakes.

Since we only got two plexiglasses, we have to carefully test it.

After we engrave the entire panel, we test out whether the LEDs on the side would shine up the board or not.

Testing out the LEDS, and code

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The LED and the plexiglass

our talented developers led the process of the code, then we tested with the physical parts.

YAY!

Our final assamble before the delivery to client !

     : 401-215-4900             

     

     : sw6167@nyu.edu       

Contact

Copyright @ 2024 Shuxuan Wang. All Work On This Site With All Rights Reserved. 

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